Using Structure in Poetry

tools of the trade for various forms of poetry, a few thoughts

typewriter, image © the author

I like to think of poetry as living somewhere on the road between prose and music. Real music, I mean, with rhythm and melody and harmony. Poetry is its verbal cousin.

There are certain poems — some pieces in blank verse or free verse, for example — that are on the prose end of the spectrum. And there are others that actually overlap with music. Poems by Robert Burns have been co-opted and set to folk tunes. Others by Goethe have been set by the likes of Schubert. As well, some song lyrics have become separated from their original tunes and now exist as poems in their own right. The old ballads come to mind. And a good deal of wonderful poetry belongs just in the middle.

All of this really does set poetry apart from prose writing. This, and the sheer intensity of expression, as Ansel Guarneros recently pointed out in this article:

What is Poetry?

Now, we can discuss the advantages and disadvantages of form and tradition and freedom and the rest of it. But it is in the…